Changing Ways

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I could see at that time that the mills were starting to close around Keighley all over the town and I thought ‘I need to be moving on somewhere’ and that’s when I left in 1975 and joined the fire service.

Trevor Keighley

Weaving Overlooker, Smith Brothers and Fosters (1962-75)

Automation

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E&S Smith's Automated Machinery

E&S Smith's Automated Machinery

Elisabeth and Michael Mitchel | Transcript

MM: But when China started, and India started going into textiles, we were selling [them the] machinery. We couldn’t buy the raw material for what they were selling the yarn. 

EM: You know when we’re on about the ‘70s?

MM: So that’s why the textile industry went down. 

EM: And the mills closing down in the ‘70s? The biggest reason for the decline, locally in Bradford, Keighley, [they’d] started importing Turkish yarn, didn’t they? And once they started importing Turkish yarn…So, a lot of our mills were using natural fibres, weren’t they? Mohair and sheep’s wool. And once they started importing cheap Turkish yarn, they couldn’t compete, could they? They couldn’t compete. So that were beginning of the downfall, wasn’t it? We, you know, people who were involved in mills, we understood that then.

 

Visiting Drummond’s Mill After the Closure

Photograph: Cath Muldowney - Empty Lister's Mill | Interviewee: Steve Gregson

Steve Gregson | Transcript

I remember Drummonds, one of the last ones I went to was Drummond’s on Lumb Lane. And I was quite upset when that burnt down, because previous to this when the mill was empty, it was empty for a long time, there was an article in the Telegraph and Argus newspaper saying that anybody who had any interest or worked within the textile trade, or that mill could go and for the last time see it as a non-operational mill before it was made into apartments. And there were 15 of us turned up that day, and the caretaker, for want of a better word, took us on a guided tour of this place for the very last time. And we went up in the lift to the second floor, and when he opened those doors onto the second floor I had a massive flashback, that floor was filled with looms and to see that building… to go in and see that floor with nothing in it… you could have heard a pin drop literally, there was nothing, it was so silent. And it all came back to me when I used to go up and have a look at all the looms going; the smell from the floorboards, the women rushing, the noise and everything.

Shaukat Ahmed | Transcript

At that time, all the older people that they were bringing their families over and that was a big shock for them, they brought the family over and they lost their job. So it was really a big crisis time at that time, in their own confidence, in their own self-importance in the family. So, when you are earning the money, you are the boss. Our families are very patriarchal. Father is the boss. And suddenly the boss has become powerless. So, my analysis is that most of the people, who are elderly, they found mosque, religion, they should go to mosque and get their own satisfaction, spiritual satisfaction from. So, Tawakul-e- Mosque played a massive role in terms of defending our community, of giving our elders something to do, somewhere to belong to, once the mills are closed.

 

Patricia Crabtree | Transcript

It was sad when the industry started dying. I mean, the business closed down, Dad was made redundant. He was heartbroken, absolutely heartbroken. I mean, he was 62 by that time, so he was coming up to retirement. It’s a shame he didn’t manage to do his last three years. He would have loved to do that. It would have been nice for him to have his last three years and go off with a bang and a party. And it just fizzled out, didn’t it? Yeah, and I regret the fact that it was such a big, interesting, vibrant industry when I was a little girl and there was so much going for it, and then in the end it just sort of petered out. I think they sold a lot of the looms, I think a lot of them went abroad. And yeah, I was just sad. He didn’t work again after that. He wasn’t able. He’d worked for the same company all his working life.

Repurposing the Space

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Recovering Documents from Closed Salts Mill in 1986

Photograph: Bradford Museum's Salts Mill office interior in October 1969 Interviewee: Colin Hobson

Colin Hobson | Transcript

I initially approached the company secretary. And he was very helpful. And he said obviously most of it was destined for a West Yorkshire archive, but I could have, you know, basically what I wanted. And I took, there were what they call guard books, which were all the patterns that they’d made, were mounted in a big volume. Which was easily 18 inches thick. They were really big, and it was leather. And as I say, they were called guard books. And they were the reference books for the patterns that they made. And I got about 50 of those and had my father carrying them up from the cellar, and my wife. And then the documentation for er… the registering the trademark for the different trademarks. They had about… probably a dozen different trademarks. And so I have the document registering it in Ecuador, Panama, and so on. And really… about 1890, 1900 something like that.

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Jentilal Mistry | Transcript

JM: Well, after the new machinery. Textile, you know, spinning, twisting, 

LMI: New machinery came in? 

JM: Came in. 

LMI: What was that like? 

JM: Then the people started losing their job. These people, instead of handling two machines, they moved to four machines.

LMI: One person was looking after two machines. 

JM: Two machines. And they started, you know, on and on, going harder and harder. 

LMI: So, were they actually making people redundant? 

JM: Yeah. That’s the story.



E & S Smith’s Trialing the New Computerised Jacquard Machines

Interviewee: Richard Smith

Richard Smith | Transcript

Our skill set was weaving Jacquard furnishing fabrics. So we weren’t a worsted or wool weaver, which the rest of our contemporaries in Bradford were involved with. We wove pattern fabrics for wholesalers. And Dad had been to this trade fair in Milan and seen a British invention, which was a computerised Jacquard machine. Which was basically a mind-blowing invention because it increased the speed of the production of fabric, or the number of picks. The method in the 1980s for transferring a pattern into a woven fabric, they used to have to draw out the patterns onto graph paper which was transferred into the punch cards that the looms read. But computer aided design came along in the early 1980s, and this is what my dad had seen initially. So this time-consuming process of doing the designs suddenly, with this computer-aided design equipment, that could be done an awful lot quicker. And the British mills, particularly in the Aire Valley… we were very fortunate to be in the right country for the developer of the computer Jacquard invention, which… They were based in Gateshead, called Bonas Machine Company. And so, they needed to prove their invention, and what better way of trial… letting the local mills trial this new invention? So the Aire Valley, there were several mills: Ourselves, a company called Downs Coulter in Thornton. And the real pioneering company – a tie weaver, a silk and school tie weaver called Masons in Skipton, they had the first prototypes of this modern computer technology. It offset the cost of the designs. We were suddenly more competitive. Although you still have to invest in the new technology, which the government helped with grants for. It enabled us to respond quicker than the foreign mills. It was a window of about three to five years where the British mills got this leg up with the technology, that enabled them to kind of defend their order base, if you like.



Michael Mitchell | Transcript

I didn’t like being an overlooker. But I am fascinated by processes and how it all worked. Like the people who invented all these machines, and stuff like that. Like… on here now, at this end of the factory, called the Old Mill, they put some brand-new machinery in, and I were in charge of it. And it was called ASD -Uniflex. And that was…rather than, like we said with bit drawing, all them operations, it cut down to three operations in the drawing, rather than seven.



Redundancies & Closures

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Roger Davy | Transcript

It was a bit of a panicked time. We found that the… if the waste merchants had been buying from the large manufacturers, a lot of the manufacturers were going out of business. People like W & J Whitehead at Laisterdyke, they were a very big company, they were spinners. And all that work stopped. And so it got it got more difficult to to get work. And eventually we ran out of customers, you know. We had a bad recession in the middle ‘70s. And another one… well, two in the ‘80s. And the worst one was about 1988, ‘89 when there was no work coming in at all. And we had a workforce… we had…. [it was a] terrible time for me because I was having to make chaps redundant. Chaps that had been there for years. And there was no option. But we knew they had got families and mortgages and all the rest of it. After travelling every day for 30 odd years from Bradford down to Dudley Hill, I got to the point when I was so worried about the business continuing that I would get to the bottom of Wakefield Road in Bradford, and I felt ‘I can’t go up the hill. I can’t go to the mill.’ And I would turn round that roundabout at the bottom of Wakefield Road and come home again. And quite often I burst into tears. And I was having a bit of a nervous breakdown. And I’m not that sort of person. I didn’t know what was happening. And this went on for about three months, I suppose, and I just got worse and worse. I couldn’t answer the phone. I’d get to the mill sometimes, I’d open the bottom door, and couldn’t go up [to] the mill. I couldn’t go up the stairs. I couldn’t answer the phone. And so, eventually my brother, eldest brother, who came in occasionally, but his two sons were working there, they said, ‘Uncle Roger, go home.’ And so I did. This would be the late ‘90s. And I didn’t go back. I’ve only been back to the mill four or five times since then, because it’s all changed. I think I felt I’d failed but I couldn’t do anything about it.

 

Christeyns Building

Christeyns Building

I just think it’s a shame that a lot of them have closed down. I know technology moves on, but for me personally, I’m 55 and I’d like to see a lot of the mills restored as much as possible. I think it’s part of Bradford’s history. The Wool Exchange, that was an amazing place as well.

David Dewhurst

Son of a former Yarn Spinner

Watching the Demolition of a Mill Chimney on Thornton Road in the Early 80's | Photograph: Cath Muldowney of Drummonds Chimney

Interviewee: Edo Nannelli

Edo Nannelli | Transcript

I arrived in the country in 1977. And I couldn’t see no… a lot of people getting out of the mills in… the end of the shift, but soon after, I don’t know which year, they closed down altogether. Early ‘80s, I remember. And then there was… because a lot of… I believe on Thornton Road then, that there was a whole line of mills there, they was all demolished at the end of the ‘70s. Also on Thornton Road, I took my son once to see a chimney being demolished one afternoon.

Tim Smith at UNSPUN

UNSPUN, a multi-media visual collage inspired by the heritage of Bradford's textile industry was presented by 509 Arts at Salts Mill as part of Saltaire Inspired, a festival held over the Bank Holiday weekend. Made with The Colour Foundry it used archive photos and film projected onto fabrics, a musical soundtrack with spoken word recordings, found audio and was accompanied by live musicians to create a rich and immerisive experience. Photos by Tim Smith.

Things to do...

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What to do next...

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What to do next...

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Lost Mills

Ghost Mansions

Lost Mills & Ghost Mansions

Lost Mills & Ghost Mansions

Photograph: UNSPUN by Tim Smith Photograph: Workers of Salts Mill from Eileen Mellor The Sangat Centre at Bradford Industrial Museum Northern Broadside did theatre productions in the derelict parts of the mill. When I was in there, I was thinking, 'I wonder if this is...

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Archive

Archive

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Ghost Mansions Case Studies

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Do It Yourself

Do It Yourself

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Mediawall

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Textiles Today

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Time Off

Time Off

[In] Saltaire there were lots and lots of foreign people. There were hundreds from Germany, Switzerland, and Italy, like me. Everyone there, in the hostel I stayed in, kept saying, ‘How do you grow spaghetti in Italy?’. So I made it up! We went to [the] shop. We...

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Local Area Studies and Map

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I grew up next to Marriner’s and I actually watched it burn down. It would have been in the ‘70s. I was in my grandma's house when the fire started ‘cos she lived round the corner. And I watched it burn down stood next to Dr Who off the telly at the time. Which was...

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Rights & Wrongs

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In the 1970’s, unions demanded an increase of 15-20% in salaries and in 1974 the salaries went up from £20-25 to £70-75. In 1979, Thatcher got rid of the unions. She said higher salaries were causing inflation and that the maximum wage increase could be 5%. I got a...

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Diverse workforce

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The supervisors were white, whilst the machinists were Asians: Pakistani, Bengali and Indians. All very friendly. People looked out for each other and helped new ones get settled. This has changed. AD: How many people worked there? LM: 80-100 I should think, ‘cause...

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Working life

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Spinning Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat.   "Lorem ipsum dolor...

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Wordsmithery winning scripts

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Winning scripts   We have four Wordsmithery winning scripts! There was a high level of submissions from across Bradford and the quality and range of writing styles was fascinating to read.   The winners are:   The Crack by Sarah Goodyear Not So Smart-Whips by Tahir...

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